Wednesday, May 6, 2009

Reminder: "Won't You Be My Neighbor?" at rec room TONIGHT!


Tonight Wednesday, May 6th, rec room presents: "Won't You Be My Neighbor?"
Curated by: Katie Hartsock
Show description: It’s a beautiful day for a neighbor—except when it’s not. Whether we live lawns away or narrow alleys apart, we’re exposed to—sometimes literally—a spectrum of experience through the people we arbitrarily spend most of our lives beside, above, or below. Rec Room invites readers to share their tales of neighborly bliss and woe, and everything in between.


With readings and performances by :
Dan Alberti
Jason Bredle
Paul Durica
Katie Hartsock
Tricia Hersey (a.k.a. Lady Terror)
Valerie Jean Johnson
Parneshia Jones
Becca Klaver
Paul Martinez Pompa
John Murillo
Garrett Prejean
Jacob Saenz
Fred Sasaki and Jacob Knabb
Erin Teegarden

Friday, April 24, 2009

Rec Room Shout Outs!

Two months ago rec room did a reading panel at the AWP conference here in Chicago. Della Watson, Krista Franklin, Erin Teegarden, Allison Gruber, Nicolette Bond and I were on the panel. Afterward we had a lot of people tell us what a great panel it was, how much they enjoyed it, how it was the most incredible thing AWP had ever offered and they were honored to be there (that might be an exaggeration).

Anyway, I recently decided to google ourselves up with AWP and see if anyone in the blogosphere maybe mentioned us. And yes! I found these very kind words from random strangers who were lucky enough to make it to our panel:

"The Reconstruction Room performers were awesome. Awesome. If you live in Chicago and can go see a show, do so. Just do it." -jeffstumpo.blogspot.com

"I loved the panel I went to about the reading series Rec Room (in Chicago). There were five readers -- two read essays, two read poems, and then this amazing woman (whose name I don't remember...) did this audience participation performance piece that was indescribably brilliant. I would even go so far as to call it cute and sublime." - pshares.blogspot.com

"I went to a panel on the Rec Room Reading series (which also featured pictures of Jac Jemc.) and totally loved it. A lot of smart, funny women. I'm sad I don't live in chicago, but I want to steal all their ideas and start a reading in Providence." - coffeehousemt.livejournal.com

So if you haven't been to show in awhile, please come out before you miss out! We just celebrated our 5th anniversary, and we're still going strong. Our next show, curated by Katie Hartsock, is May 6, and the theme is "Won't You Be My Neighbor?" all about neighbors and neighborhoods. I really hope to see you there.

Also, I would love it if you added us to your blogroll and signed on as a follower of this blog. I promise to start posting more than once a month. It will be all vaguely literary and rec room related all the time, I swear!

Thursday, April 23, 2009

Five Alive: rec room's 5 year anniversary!

Rather than write a recap of a great night, or try to come up with some vaguely relevant anecdote of my own, I asked Erin for permission to post the essay she read at the Five Alive show. She did such a great job of laying out our history and what we're doing (or trying to do). And, if you love rec room, I think you should take an opportunity to tell her how much you appreciate the work she puts into it. Five years later, still surviving:

"we the people of the reconstruction room, seek to create a community and performance space where artists are free to take risks, challenge dominant power structures, and fuck w/accepted modes of expressions. each show presents a unique theme and invites performers ("rec roomers") to define and shape this theme for an audience. rec room is a public space for events that may otherwise only occur in our living rooms. rec room is a public expression of ideas that may otherwise only occur in our heads. inherent in our mission is a commitment to love & justice. we're also down with peace & harmony."

Almost five years ago to the day, eric and I laid out this mission, in the hopes of creating a foundation for the reconstruction room. Our words were charmingly grandiose, especially considering there had not yet been a single rec room performance. Della had booked this back room out of the blue and told us she had three readers for an upcoming Wednesday.

In the beginning, rec room was little more than those words and me, eric, and della – we were friends and former University of Pittsburgh grad students living in a new city, doing nothing creative with our masters’ degrees; we wanted to throw lots and lots of parties, but our apartments were too small and messy; we were too poor to supply booze for everyone, and we were starting to get too old to drink with abandon and mingle at parties without reason.

Our writing too, though unpublished and new, deserved to be heard – in spite of our aesthetic, which was too weird for the open mics, too sensitive for slam. If we could build our own series, it would have quality writing + music and drama and comedy, crafts and props and technology. It would pack a punch, and promise some surprises. It would never feature a headliner; it might be a little haphazard or casual by nature, but in a good way.

We would corral every show around a theme, and otherwise let rec roomers be free to own the show – to cross the lines of genre, the boundaries of performance -- we would showcase the triumph in the mere attempt at art –- there would be lots of laughs and riffing off the audience. We were convinced creating this kind of literary community would make a difference.

But even if you have a fancy mission statement and a lot of heart, difference-making isn’t easy. Usually it requires a shitload of work, and believe me, we’ve done it. Rec room could have easily been a one night deal, had we been unwilling to promote and maintain it. How many community arts projects die without funding? How many reading series die when two of their three founding members leave the city?

After having hosted over 100 rec room shows, I’m finally confident enough to say that yeah, rec room’s survival has had at least a little bit to do with me.

But mostly, rec room is living because of all of you, our growing audience. I’d like to think of this series as Chicago’s best kept literary secret. We have never been pretentious. Our couch is splitting open, our chairs might splinter your ass. The bar serves warm beer and burns the grilled cheese sandwich. Our show never starts on time, our breaks last way too long, our raffle prizes are homespun and kinda crappy. And I’m always playing the oldies, which probably annoys many of you.

And yet you still keep coming back for more. Whatever’s wrong with you all, I like it. And I thank you.

Especially I thank those of you who currently or in the past have donated your time and talents to the rec room cause. (Eli, Meg, Megan, et al.) We have never had a problem recruiting volunteers, readers and curators who love whatever madness we’ve got going on here. I could write volumes about specific kinds of rec room madness, but if you really want to know the full story of rec room, check out our website which contains a blog entry and photographs from each show, (updated and maintained by miki with photos by mikey) as well as the amazing posters our graphic designer, trina, creates each week.

In addition to maintaining detailed web archives and providing consistent email blasts, this past year we received (rather unexpectedly) a $3000 grant from the Richard H. Driehaus foundation, which allowed us to purchase a/v equipment of our very own. This year we also did our second show at the MCA for the lit gangs of Chicago series, and our academic panel at the Associated Writing Programs' annual conference in the winter was a total success.

All this is not too shabby for a woman-led reading series that started with no money, no connections , no tech – not bad for a series that takes place in a rugby bar in a Cubs neighborhood in a city where at least 75 percent of all literary activities happen on a Wednesday.

If I sound surprised, it’s because I am. I never expected, five years ago almost to the day, that the words eric and I were putting down would be invoked today. I don’t know if I knew where rec room was going, but I always knew it was meant to be alive. From the beginning, rec room has felt vital, necessary.

I am so thankful to each of you, who breathe life into this series, and help us continue to branch out and Grow. I am also thankful to miki and trina who have been at my side to conceptualize each inner circle show and donate their time and talent to our rec room projects. They have stepped up to fill in where eric and della left off – they have worked so hard on every aspect of rec room, from shlepping equipment to creating budgets to making decorations and donating prizes..."

The ending of this essay is lost--Erin wrote it hastily in the back seat of a cab on her way to the show. But I think it's ok. There are some things, and maybe rec room is one of them, that we don't want to imagine ever coming to an end.

Tuesday, March 17, 2009

You Give Me Growing Pains, Theodore Huxtable

When I think of TV in the 80s, I think of the many things I missed out on. It’s not that I’m too old or too young—I’m in fact perfectly-aged to have been raised by television in the 1980s.

The problem was that my family lived at the bottom of a valley, surrounded on all sides by wooded hills. We had a glorious TV antenna that reached up way past the house in hopes of catching those precious waves, but despite its great height we only received one channel, the local NBC affiliate. My knowledge of television from my past is restricted to those shows that aired on channel 18, WHIZ TV—Alf, the Cosby Show & A Different World. I never even saw The Wonder Years until I went to college!

That’s why Mary Hamilton’s show, “You Give Me Growing Pains, Theodore Huxtable” was so important. Thanks to Erin Teegarden and Nicolette Bond I now I have a truer understanding of the joy so many found in watching The Wonder Years. Tobias Amadon Benglesdorf gave us a glimpse of Alex P. Keaton’s not so heart-throbbingly awesome future as coke-addled Republican jerk. Meg Barboza’s slideshow as to why Rosanne was the best show ever was very convincing. Zach Plague compared Al Bundy and Sisyphus with the zeal of a young Ph.D. candidate. Lindsay Hunter reminded me that I am so not a Chicagoan because I only learned what Bozo Buckets were last summer. Brian Costello wooed us, and Tracy Gold, with a story and song, and Jac Jemc cracked the room up by inserting herself into a typical (or not so typical?) Perfect Strangers scenario. Fred Sasaki and Jacob S. Knabb also jumped in and read some appropriately themed and hastily penned haikus.

Oh, and of course I have to mention the word-for-word reenactments of our favorite scenes from shows like the Facts of Life and the Cosby Show, excellently performed by Mary, Jill Summers and Erin!

Thanks to Mary for bringing everyone out. That show was a blast, and even educational for people like me who lived where no cables would run (seriously, they still don’t run cable out to my parents’ house). Thanks for the show, and thanks for the old memories!

Sunday, February 22, 2009

AWP: It's All About Me

Erin and I repeated our mantra for the week with the conviction of religious ascetics. Because really, as you should know, it is All. About. Me.

So it is no surprise that Rec Room was all over the place over the AWP weekend. First, on Thursday afternoon, Erin Teegarden joined folks from several other Chicago reading series on a panel discussing "Chicago's Literary Landscape." Later in the evening we hosted six poets with Sarabande books at a special Rec Room offsite event.

Our AWP presence culminated in an incredible reading Friday morning. I'm not sure how it happened (but I'm willing to hand it to myself for writing a kickass program description for the schedule book), but we packed our little room on the 3rd floor of the Hilton with the best audience possible. They clapped, they sang, they volunteered to conduct an orchestra of applause. We had so much fun--Della Watson, Krista Franklin, Allison Gruber, Nicolette Bond, Erin and myself. It was so cool to be able to take Rec Room out of the back room of a bar (albeit to a stuffy hotel) and share with all new people. Showing, not telling (if you'll allow), that readings don't have to be staid, boring occasions but can instead be exciting and funny and experimental events, that doing something new and strong, beautiful writing are not mutually exclusive.

Rec Room had an awesome AWP, its very first. Thanks to everyone who came out to support us or kept us in their thoughts. Now the only left is to figure out what to do when the conference comes back to Chicago in 2012. Yipes!

Sunday, January 4, 2009

Reading Bondage: Only the Microphone was Ashamed - December 3, 2008

There were two things that stood out about the rec room show on December 3. The first is that it was freaking freezing the back room of the bar, and the second, more importantly, is that the show was one of the funniest, entertaining and interesting shows I’ve seen anywhere.

For a lot of people, speaking in front of an audience is unthinkable, let alone reading your own creative work in front of said audience, let alone reading your own creative work in front of said audience while your work is on fire, or while your corset is being tied. But that’s just the sort of thing curator and rec roomer Nicolette Bond would come up with. And so it was with her show Reading Bondage: Only the Microphone was Ashamed.

All of the poets read two poems and so had two different constraints placed on them. I’ll try to remember them all. The show started off with Nicolette reading her poem as Erin tightened the strings of her corset. This just set the tone for the stunts that ensued: Jason read a poem in a Jamaican accent and also closed the show by stuffing a napkin in his mouth and spanking his ass while trying to read a poem. Michael read backwards, and he also read while perusing some 70s porn, and Jac read her first poem into the ceiling. Of course, her second task was a lot harder, as we closed in on her like a zombie audience during her reading.

As a special treat, we got to hear Mike shout a rabble-rousing rant—

—into Nicolette’s ass.

Let’s see, what else… Carl had to first sing a poem, which was kind of lovely and hilarious, and for his second round he read a poem to me while I sat on his lap like a child listening to a bedtime story. A really embarrassed 31 year-old child. Mary was a maniac, a maniac on the floor when she read her poem while dancing. She also allowed Nic to tie the mic onto her body, so that she read into her abdomen.

Dave got all Ethan Hawke on us as he stood on the table and shouted his poem. Later he was far more Kirsten Dunst when he brought it, reading from the bottom of a human pyramid. Erin had to read while her poem burned, and then she played telephone with Trina and Barbara. I still have no idea what that poem really said. Barbara pulled a repeat and sang her poem to us.

If you’ve never been to rec room and want to know what we’re like or why we’re different, this is a good example. No, we don’t read into people’s asses every show, or really at any show other than the last one, and yes, despite the wackiness of this show we really do love the written word and the feel of performance. We’re not afraid to do something crazy, just to see if it’ll work. And sometimes, like on December 3rd, it really does.

Thursday, December 4, 2008

"Concession" -- November 5, 2008

It was the day after an historic day. And, like all days after historic days, people were tired and hungover. It’s something you have to concede when you have a literary performance show on Nov. 5, 2008.

So, though the turn out for “Concession” was a little poor, the enthusiasm from the performers more than compensated. In addition to gathering Chicago performers, our curator, Miki Howald, got audio submissions from her poet friends -- Elizabeth Bradfield and Amy Groshek – who live in other places. In addition to their voices filling our room, we were also entertained by Josh Dumas (of Notes and Scratches) who played acoustic guitar for us and sang a haunting song that contained a narrative of unrequited love and the ultimate concession one can make for it. We also heard from Eric Elshtain who read a stirring and somewhat humorous poem which (I thought) gave a few nods to Allen Ginsberg’s poem “America”. (But sometimes I hear this poem in lots of poems, so maybe it’s just me!) We also heard from Meg Barboza, who -- unhappy with the current names being used for our generation -- decided to throw out a few more suggestions. I, Erin Teegarden, read a top 10 “essay” about things I conceded when celebrating my 31st birthday on election day, 2008 in Grant Park in Chicago. Miki read an essay about blind love and the loss of last election, and how one can overcome those losses. By the way, I’m told, ideally this essay would have been accompanied by a full orchestra. (I listened for the swelling at the end Miki, and I liked it!) Last but never least, Nicolette Bond was up to her usual performance antics. Her concession poem involved audience participation. Members of the audience had to partner up and arm wrestle. (I am happy to say, I almost beat my male partner.) From there, an audience member was volunteered (ha – BREDLE!!!) to arm wrestle Nik while she wore a skimpy hot pink “Love is a Battlefield” tank top. From there, Nik also sat on Bredle’s lap and the two of them read her poem. This made for a moment that was quite awesomely reminiscent of a Calvin Klein ad.

All in all, the night was a success. Spirits were high because of Obama’s victory, but I think it’s safe to say we were all still in a bit of shock and awe (to borrow and re-make a term from a dying regime). After 8 years of seeing the worst from our government most of the time, the sense that things were and are getting better in our community, country, world, was definitely palpable. I was very happy to be with good friends on Nov. 5 at rec room, to concede to silliness, cheesiness, and to the grandiose. Oh, the audacity!